Splicing of Jiangmen film and television production
The traditional film arrangement is real splicing. After the negative plate obtained by photographing is washed, it is necessary to make a set of operation samples, and use this set of samples for arrangement. The arranger selects the required lens and film from many samples, cuts the film with scissors, sticks them together with adhesive strips or glue, and then watches the function of arrangement on the arrangement table. This process of cutting and sticking should be repeated until it finally gets the effect of ambition. Although this process looks primitive, this splicing is truly nonlinear. The choreographer doesn't have to work in order from beginning to end, because he can cut the sample film from the beginning to the end and stab it into a lens at any time. Maybe cutting some pictures will not affect the whole film. However, this method is unable to produce many skills. The splicer cannot create a overlay between two lenses, nor can he adjust the color of the picture. All these skills can only be completed in the development and printing process. The manual operation power of scissors and paste is also very low.
The traditional TV modification is carried out on the modifier. The modifier is generally composed of a video player and a video recorder. The choreographer selects a suitable piece of data through the video player, records it on the tape in the video recorder, and then looks for the next shot. In addition, the modifier also has a strong special effect function, which can make all kinds of overlapping paintings and images. It can adjust the picture color and make subtitles. However, because the pictures recorded on the tape are sequential, you can't insert a shot between the existing pictures or delete a shot, unless you record all the pictures after that again. Therefore, this modification is called linear modification. It brings many constraints to the modifier. It can be seen that although various traditional editing methods have their own characteristics, they all have great limitations, which greatly restricts the creativity of the choreographer and wastes valuable time in the cumbersome operation process. The computer-based digital non-linear modification skills have greatly developed the arrangement techniques. This skill records data into a computer and uses the computer to arrange it. It adopts the nonlinear form of film arrangement, but uses simple mouse and keyboard operation to replace the scissors and paste manual operation. The arrangement results can be played back immediately, so the power is greatly improved. Together, it can not only provide all the stunt functions of various modifiers, but also provide the messy stunt functions that the modifier can't afford through the expansion of software and hardware. Digital non-linear modification not only summarizes the advantages of traditional film and television modification, but also further develops it, which is a significant progress in film and television editing skills. Since the 1980s, digital nonlinear modification has gradually replaced the traditional method in foreign film manufacturing and become the standard method of film arrangement. In China, the use of digital nonlinear modification for film arrangement is still a matter in recent years, but it is carried out very rapidly. We will discuss it in detail in the future.
The traditional film arrangement is real splicing. After the negative plate obtained by photographing is washed, it is necessary to make a set of operation samples, and use this set of samples for arrangement. The arranger selects the required lens and film from many samples, cuts the film with scissors, sticks them together with adhesive strips or glue, and then watches the function of arrangement on the arrangement table. This process of cutting and sticking should be repeated until it finally gets the effect of ambition. Although this process looks primitive, this splicing is truly nonlinear. The choreographer doesn't have to work in order from beginning to end, because he can cut the sample film from the beginning to the end and stab it into a lens at any time. Maybe cutting some pictures will not affect the whole film. However, this method is unable to produce many skills. The splicer cannot create a overlay between two lenses, nor can he adjust the color of the picture. All these skills can only be completed in the development and printing process. The manual operation power of scissors and paste is also very low.
The traditional TV modification is carried out on the modifier. The modifier is generally composed of a video player and a video recorder. The choreographer selects a suitable piece of data through the video player, records it on the tape in the video recorder, and then looks for the next shot. In addition, the modifier also has a strong special effect function, which can make all kinds of overlapping paintings and images. It can adjust the picture color and make subtitles. However, because the pictures recorded on the tape are sequential, you can't insert a shot between the existing pictures or delete a shot, unless you record all the pictures after that again. Therefore, this modification is called linear modification. It brings many constraints to the modifier. It can be seen that although various traditional editing methods have their own characteristics, they all have great limitations, which greatly restricts the creativity of the choreographer and wastes valuable time in the cumbersome operation process. The computer-based digital non-linear modification skills have greatly developed the arrangement techniques. This skill records data into a computer and uses the computer to arrange it. It adopts the nonlinear form of film arrangement, but uses simple mouse and keyboard operation to replace the scissors and paste manual operation. The arrangement results can be played back immediately, so the power is greatly improved. Together, it can not only provide all the stunt functions of various modifiers, but also provide the messy stunt functions that the modifier can't afford through the expansion of software and hardware. Digital non-linear modification not only summarizes the advantages of traditional film and television modification, but also further develops it, which is a significant progress in film and television editing skills. Since the 1980s, digital nonlinear modification has gradually replaced the traditional method in foreign film manufacturing and become the standard method of film arrangement. In China, the use of digital nonlinear modification for film arrangement is still a matter in recent years, but it is carried out very rapidly. We will discuss it in detail in the future.
Article source: Jiangmen film and television production http://singaporeferragamo.com
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